![]() ![]() The Dead franchise spanned numerous remakes and offshoots, additionally inspiring the non-Romero horror comedy franchise Return of the Living Dead. All of these themes have become standard parts of the language of zombie narratives, animating future zombie projects from 28 Days Later to The Walking Dead. Dawn of the Dead gave us the famous theme of zombies as consumerism via its shopping mall setting, and the follow-up, 1985’s Day of the Dead, explored the theme of abuse of government power, hyperviolent masculinity, and the dangers of an armed domestic military force. In addition to giving horror the imagery of the shuffling, bumbling zombie that’s nevertheless fiendishly difficult to kill, Romero’s latter zombie films were explicitly anti-capitalist explorations of modern consumerism and nihilism in American society. Ten years after the film, Romero subverted, parodied, and extended his own zombie tropes through the classic Dawn of the Dead, generally considered one of the greatest horror films ever made. Night of the Living Dead was an immediate hit, grossing an estimated $30 million worldwide on a budget of $114,000. Oh, and here’s one thing more: They like to eat living people! ![]() And I said, what would be a really earth-shattering thing that would be revolutionary and that people would refuse to ignore? The dead stop staying dead. Peace and Love didn’t solve anything in the end, in fact, shit was lookin’ worse. We were ’60s guys and … sort of pissed off that the ’60s revolution didn’t work. In the 2009 documentary Nightmares in Red, White, and Blue, Romero himself stated that Living Dead was about revolution: (The recent film Get Out is in part a sweeping homage to Living Dead, particularly in its ending.) So, too, did the grave, emaciated forms of the film’s zombies - which, though the similarity was unintentional, have long been compared to liberated Nazi concentration camp victims - and the Vietnam-like guerrilla-style combat the humans use to battle the zombies. This casting gave Night of the Living Dead an immediately political resonance as an allegory of race relations in America, abetted by an ending that remains relevant and recurrent in horror films to this day. Stark and unflinching, it was notable for featuring Duane Jones in the leading role, making him among the first black actors to be given a starring role in a film that did not explicitly call for casting an actor of color. The famous 1968 horror movie was a low-budget, minimalist project that Romero produced independently with a small team comprising local Pittsburgh actors and crew members. Russo, Romero is credited with creating and codifying the modern zombie in Living Dead. (In a 2010 interview, Romero recalled that Rogers had not only encouraged him but had also gone to see his zombie films.) From there, Romero started his own production company and made his film debut at the age of 28 with one of the greatest horror films ever made.Īlong with his co-writer John A. ![]() Romero got his start in the movie business after being hired to shoot short films by none other than Fred Rogers, who gave a leg up to numerous actors in the Pittsburgh area through his children’s shows, including Mr. George Romero, the legendary director of the Night of the Living Dead trilogy and its follow-ups - widely considered the architect of the zombie genre as we know it - died Sunday at the age of 77 after a brief battle with lung cancer, according to a statement given by his producing partner to the Los Angeles Times.Īccording to the family, Romero died in his sleep with his wife and daughter at his side, while listening to the score of the 1952 film The Quiet Man. ![]()
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